While touring the countryside, I became fascinated by the reverent shrines within small Mexican cemeteries. The shooting conditions were difficult at best, and I thought it would make a great blog post to illuminate how I approached the work shot in midday sun, through dusty glass and with very limited time. I’m still editing the work, and finishing several concurrent projects.
Recently, I received a little gift— a chance to slow down, reflect on my favorite creative Photoshop techniques and recall how my artistic style emerged from grade-school experiments.
This collaboration began with an email from artist/author/instructor Seán Duggan. We had met a few summers ago while both teaching Photography and Photoshop at Maine Media Workshops, and revealed that we admired each others’ work. In his email, he asked if I would like to contribute to “Photoshop Masking and Compositing”, a new Photoshop book he was co-writing with digital artists Katrin Eismann and James Porto.
“When your subject needs the human element, why not step into the composition?” While on the phone during a walking break, I saw these pleasing branch shapes casting shadows on a concrete wall. I liked the shadows but needed another element. I stepped into the photograph, recomposed, and took several shots with my iPhone 4s. I am sometimes amazed at how this little 8-megapixel iPhone camera can make such interesting photographs that might take over … more >> →