A Realistic Photoshop Composite for Yankee Magazine

I was contacted by the art director at Yankee Magazine asking me to illustrate a feature for their 80th anniversary issue. The subject: “Inventions and Ingenuity from New England”. Nancy had seen several of my Photoshop montages over time, and believed that my style would be ideal the project. She especially liked my “Telling History” piece, a realistic montage project I’d done for the Baltimore Sun. I accepted the assignment knowing I’d enjoy another challenge of creating a illustrative visual using historic images. … more >>

The Story Behind Photographing “The Buddha of Borobudur”

This is the story of my favorite and most collected images: “The Buddha of Borobudur“. I’m often asked about the location of this unusual place, and also how I made this image. I’ll describe my personal process, the gear I used and my Photoshop technique. I’ve learned from photographic travels that my best images come when I manage the excitement that could otherwise occupy my senses. When I have attempted to capture the quiet essence of … more >>

Season’s Greetings!

Season’s Greetings to all of you, and thanks for following “Notes From a Creative Soul”. I look forward to a year of growth, creativity and adventures. Hope to see you at an upcoming Meetup, presentation or workshop! If  enough of you would like to know how this greeting card was made using Photoshop, comment below and I’ll schedule it as an upcoming post.

My Photoshop Process : A Revealing Collaboration

Duggan's book DJ spread on Sky 6k

Recently, I received a little gift— a chance to slow down, reflect on my favorite creative Pho­toshop tech­niques and recall how my artistic style emerged from grade-school experiments.

This collaboration began with an email from artist/author/instructor Seán Duggan. We had met a few summers ago while both teaching Photography and Photoshop at Maine Media Workshops, and revealed that we admired each others’ work. In his email, he asked if I would like to con­tribute to “Pho­toshop Masking and Com­positing”, a new Pho­toshop book he was co-writing with digital artists Katrin Eismann and James Porto.

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