I’d been wanting to visit Cuba for decades, but it had somehow evaded my priorities.
Then a call came in with an invitation to fly to Cuba and contribute to the documentary project
In the Footsteps of Walker Evans. I didn’t need many details. I signed on without hesitation.
My first visit to Cuba:
Our objective was to photograph contemporary Western Cuba where the renown American photographer Evans had worked in 1933. We would meet with Cuban photographers, and with their guidance, interpret modern Cuba in our own style. Though we were on a heavily structures itinerary covering vibrant Havana, verdant Viñales and colonial Trinidad, I was able to steal away every day to pair off or shoot on my own. I had no idea that I would fall in love with Cuba, and return again annually to share this passion with other photographers. Here’s why Cuba caught my heart:
I studied up on this historic island nation, it’s ethnic makeup, socio-political history and it’s legacy of significant contributions to art and music. I looked forward to responding to the rhythms of Cuba while learning to work the light in the busy streets of Havana and outlying regions. I also knew I’d be blown away with all the classic 50’s cars there. I researched the work of modern Cuban photographers, such as Raul Cañibano, Arien ‘Chang’ Castan, Jorge Gavilondo and several others. As I was then relatively new to the art of street photography, I wanted to practice my graphic composition while capturing fleeting moments with a decisive eye.
Welcome to The Emerald Isle…
Within a few hours of touch down, I walk the streets to acclimate to the local rhythm. It’s tempting to begin shooting right off, but I first tune in to the sensory layers of the city: hammering, dog barking, color, cooking, peeling textures, faces, curiosity, salt air, engines, exhaust, and always muy rapido Español. I then feel more relaxed and adaptive, and my reaction time to spontaneity improves. With it’s long bayside Malecon, Havana is relatively easy to navigate, so walking is easy and bicycle taxis are ready to rescue tired feet. Now after several trips, I can access to a deeper side of Havana, beyond tourist areas where most tours focus. The classic 1950’s cars are everywhere, from pristine to patched-up jalopies. They provide an sense of place in street shots, and also a stylish way to get around town with a Cuban driver guide. While that is a must-do in Cuba, I’m on foot most of the time so I can slow down, tune into opportunities and find spontaneous situations to shoot.
Cuba is About People
The roots of African and Spanish blood make Cubans some of the most interesting (and photogenic) people I’ve ever met. Though not fluent in Spanish, I connect through simple conversations rather than ‘shoot and scoot’ as I see many visitors doing. Once you’ve been to Cuba, you’ll agree that Cubans are warm, creative and proud. Meeting artists, musicians, vendors, families and joyfully unsupervised kids is all in a day’s walk. Almost every Cuban claims to have a relative living in the States. Now that public WiFi is common in Cuban cities, and streaming internet is accessible, its now common to see people lit my cell phones lining streets or park benches. It’s an unusual mix of the old and the new, and Old Havana is getting newer looking every month. The time to visit is now.
Exploring the Light
There is no doubt that without interesting light on a subject, a photograph has less power. While traveling, I seek long shadows, raking light and rich colors in late afternoon. I also do early outings to seek out ephemeral light and a town awakening with few tourists around. When the sun is high above, I seek out shadows, and the reflected light that illuminates doorways and interiors.
When it clouds over, I can capture portraits more easily without overly-contrasty bright sun and dense shadows. I’m one of those people who love when it rains in the city. I like the muted colors, spattered reflections and shiny streets. My Fuji X cameras and most of the lenses I use are weather resistant, so I don’t worry about a little rain.
Seeing in B&W, Shooting in Color
While Cuba is certainly about color, I also like the vintage feel of B&W photographs. With mirrorless cameras one has the option of setting the camera to ’see’ in B&W right in the viewfinder. This is a unique ability in mirrorless cameras, somewhat like Live View mode in dSLRs, but right within the viewfinder. I love several of the Fuji film simulations, especially the B+W Acros settings. Fuji Acros was one of my favorite B&W films back in the day. Each year, I compile a book of my best photographs from the trip and publish a small bound book to bring the following year. These and prints from them are my gift to the Cubans who helped me feel welcome in their island home.
This year makes my fifth trip to Cuba, this time beginning in the East and then flying to Havana. Whether you’re a photographer or casual cultural traveler, I invite you to join us there this December 8th! The itinerary is awesome and we’ve still got a few spots left as of this writing. Learn all the details at: artandsoulofcuba.com