There is deep American history imbued within every stalk of wheat and worn wooden plank in Washington’s Palouse region. I sensed it when I slowed down and quieted my anticipation. I paused intentionally and inhaled the sweet air at every location. The images below are the beginnings of my series of uninhabited portraits of the timeless Palouse. The Palouse region in Eastern Washington and Idaho is one of the world’s largest producer of grains and legumes. In fact, it’s … more >> →
While touring the countryside, I became fascinated by the reverent shrines within small Mexican cemeteries. The shooting conditions were difficult at best, and I thought it would make a great blog post to illuminate how I approached the work shot in midday sun, through dusty glass and with very limited time. I’m still editing the work, and finishing several concurrent projects. more >> →
There I was, finally alone in the wilds on a photo safari. Barely off the plane, I met the others in my group and we drove through the busy streets and markets to find some photogenic wildlife. Two hours into our tour, we huddled together, checked our cameras and stared across steamy African wetlands and grasslands. Suddenly, a territorial bull Antelope surprised me on the grassy hillock, staring me down from just yards away. My heart … more >> →
The Haunted Tree is my most published and collected photograph to date. It has evoked various responses from viewers and curators who have described it using adjectives including ‘dreamy’, ‘mysterious’, ‘foreboding’, ‘cinematic’, ‘poetic’, ‘confrontational’, ‘powerful’, ‘spiritual’…and the list goes on. Haunted Tree is also my most plagiarized and ‘borrowed’ image to date. I enjoy knowing it feeds the thought of others, even though I find it online being used for heavy metal band merchandise, to accompany … more >> →
Composition and Design are as important in a successful photograph as are light, subject, story and timing. Looking for inspiration outside of your medium is often the key to learning something new. I believe that crossing mediums helps strengthen the random access of ideas that is key to our natural creative process. It’s a bit like loading your conceptual quiver the way a painter loads the palette.
I love to teach workshops in beautiful locations, and none are finer than the coast of Maine. This summer I return for my seventh year to Maine Media Workshops. I’ll teach a workshop called “Imagination Vision and Voice”. Last year this workshop was very well received, and I was fortunate to have a great group of students at all levels or experience. We have a helluva lot of fun too!
“When your subject needs the human element, why not step into the composition?” While on the phone during a walking break, I saw these pleasing branch shapes casting shadows on a concrete wall. I liked the shadows but needed another element. I stepped into the photograph, recomposed, and took several shots with my iPhone 4s. I am sometimes amazed at how this little 8-megapixel iPhone camera can make such interesting photographs that might take over … more >> →
“Creative Photography with Any Camera” MARCH 14 – 17 : Santa Fe, NM “Join me to capture the beauty, history, and nature in and around Santa Fe!” No matter what your photography experience is, this workshop will inspire and give you hands-on instruction to master camera settings, use intuition to capture the best moments, artfully compose shots, edit and organize images and create slide shows, prints and web galleries. You’ll … more >> →
“Wherever I go, I seek compositions that artfully interpret subjects and the ‘feel’ of the place they inhabit” On a recent road trip down the Oregon coast, I spent a day at infamous Canon Beach. To say that it’s a magical and photogenic place is an understatement. The surrounding public-access coastline draws over 20,000 people a year, yet much of it can easily be seen with hardly a soul upon it.
“Photographing a landscape from a low angle perspective helps me illustrate subjects in nature.” When photographing the land, I shoot traditionally and also look for a unique perspective or point of view. Low vantage points are often overlooked, and are often truly rewarding. Before getting close with my camera to capture the details, I use my body position to try various ways I might view the subject. To the causal onlooker, I must look insane with my … more >> →