I recently led a full workshop in Washington’s Palouse region, where landscapes are most people’s major focus. But when traveling in the countryside, I love the meditation of photographing graphic abstracts in abandoned and industrial spaces. Such details provide an opportunity for me to get close, and provide a mental balance to photographing grand landscapes, local people and rural life. I believe those shapes, rivets and splinters have stories to tell me. I try to seek out graphic compositions where various materials overlap … more >> →
There I was, finally alone in the wilds on a photo safari. Barely off the plane, I met the others in my group and we drove through the busy streets and markets to find some photogenic wildlife. Two hours into our tour, we huddled together, checked our cameras and stared across steamy African wetlands and grasslands. Suddenly, a territorial bull Antelope surprised me on the grassy hillock, staring me down from just yards away. My heart … more >> →
The Haunted Tree is my most published and collected photograph to date. It has evoked various responses from viewers and curators who have described it using adjectives including ‘dreamy’, ‘mysterious’, ‘foreboding’, ‘cinematic’, ‘poetic’, ‘confrontational’, ‘powerful’, ‘spiritual’…and the list goes on. Haunted Tree is also my most plagiarized and ‘borrowed’ image to date. I enjoy knowing it feeds the thought of others, even though I find it online being used for heavy metal band merchandise, to accompany … more >> →
Composition and Design are as important in a successful photograph as are light, subject, story and timing. Looking for inspiration outside of your medium is often the key to learning something new. I believe that crossing mediums helps strengthen the random access of ideas that is key to our natural creative process. It’s a bit like loading your conceptual quiver the way a painter loads the palette.
I love to teach workshops in beautiful locations, and none are finer than the coast of Maine. This summer I return for my seventh year to Maine Media Workshops. I’ll teach a workshop called “Imagination Vision and Voice”. Last year this workshop was very well received, and I was fortunate to have a great group of students at all levels or experience. We have a helluva lot of fun too!
When making photographs, I love to use strong design to compose the graphic elements within the viewfinder. My experience as a graphic designer and art director has influenced how I see the world, and how I compose the rectangle of every image. One particularly memorable weekend taught me a lot about designing within the frame. Back in the mid-80’s one of my co-workers invited me to join him for a road trip to the Hershey … more >> →
“Creative Photography with Any Camera” MARCH 14 – 17 : Santa Fe, NM “Join me to capture the beauty, history, and nature in and around Santa Fe!” No matter what your photography experience is, this workshop will inspire and give you hands-on instruction to master camera settings, use intuition to capture the best moments, artfully compose shots, edit and organize images and create slide shows, prints and web galleries. You’ll … more >> →
This year’s New Year Wish card is a starry night sky from a photo I made on compact camera. The scene is a very chilly night at pristine Lake George near the base of Mt. Rainier. Here’s the story: My campout at the lake was a spontaneous decision made late in the day. I had just been camping with my sister and nieces. Something was tugging hard at my mind to solo on the mountain but I … more >> →
“I have a confession. I’ve been addicted to very wide angle lenses for over 30 years, and I have no intention of quitting.” There is nothing quite like the inclusive sweep of a photograph made with a wide angle lens. I find it intriguing how wides see the world so much differently than my own eyes. The characteristic distortion of wides, when used creatively can create inviting and dramatic images. I started my own ‘habit’ in 1974 … more >> →
“Wherever I go, I seek compositions that artfully interpret subjects and the ‘feel’ of the place they inhabit” On a recent road trip down the Oregon coast, I spent a day at infamous Canon Beach. To say that it’s a magical and photogenic place is an understatement. The surrounding public-access coastline draws over 20,000 people a year, yet much of it can easily be seen with hardly a soul upon it.