In 2014 I decided to refresh my approach to photography. I was heading to Cuba to collaborate on a historical photography project. I wanted a greater connection to subjects than I’d been having with my face obscured behind my big beloved Canon dSLR. I needed a camera that could also frame subjects if held high, held low or when shooting from the hip. I wanted a lighter and smaller system for greater agility and spontaneity. Image quality had to be excellent, with great low-light performance … more >> →
There I was, finally alone in the wilds on a photo safari. Barely off the plane, I met the others in my group and we drove through the busy streets and markets to find some photogenic wildlife. Two hours into our tour, we huddled together, checked our cameras and stared across steamy African wetlands and grasslands. Suddenly, a territorial bull Antelope surprised me on the grassy hillock, staring me down from just yards away. My heart … more >> →
I love to teach workshops in beautiful locations, and none are finer than the coast of Maine. This summer I return for my seventh year to Maine Media Workshops. I’ll teach a workshop called “Imagination Vision and Voice”. Last year this workshop was very well received, and I was fortunate to have a great group of students at all levels or experience. We have a helluva lot of fun too!
When making photographs, I love to use strong design to compose the graphic elements within the viewfinder. My experience as a graphic designer and art director has influenced how I see the world, and how I compose the rectangle of every image. One particularly memorable weekend taught me a lot about designing within the frame. Back in the mid-80’s one of my co-workers invited me to join him for a road trip to the Hershey … more >> →
“I have a confession. I’ve been addicted to very wide angle lenses for over 30 years, and I have no intention of quitting.” There is nothing quite like the inclusive sweep of a photograph made with a wide angle lens. I find it intriguing how wides see the world so much differently than my own eyes. The characteristic distortion of wides, when used creatively can create inviting and dramatic images. I started my own ‘habit’ in 1974 … more >> →
“Wherever I go, I seek compositions that artfully interpret subjects and the ‘feel’ of the place they inhabit” On a recent road trip down the Oregon coast, I spent a day at infamous Canon Beach. To say that it’s a magical and photogenic place is an understatement. The surrounding public-access coastline draws over 20,000 people a year, yet much of it can easily be seen with hardly a soul upon it.