Recently, I received a little gift— a chance to slow down, reflect on my favorite creative Photoshop techniques and recall how my artistic style emerged from grade-school experiments.
This collaboration began with an email from artist/author/instructor Seán Duggan. We had met a few summers ago while both teaching Photography and Photoshop at Maine Media Workshops, and revealed that we admired each others’ work. In his email, he asked if I would like to contribute to “Photoshop Masking and Compositing”, a new Photoshop book he was co-writing with digital artists Katrin Eismann and James Porto.
After many requests, I am excited to be leading three new Creative Photoshop day-long workshops in downtown Seattle. Learn the creative potential of Photoshop by attending one (or all) of my three new workshops tailored to fit any artist or photographer’s abilities and goals. Creative Photoshop workshops are held in small groups of up to 10, so they’re more content-efficient and personalized than the larger classes at conferences and touring workshops. The day consists of on-screen … more >> →
I love to teach workshops in beautiful locations, and none are finer than the coast of Maine. This summer I return for my seventh year to Maine Media Workshops. I’ll teach a workshop called “Imagination Vision and Voice”. Last year this workshop was very well received, and I was fortunate to have a great group of students at all levels or experience. We have a helluva lot of fun too!
When making photographs, I love to use strong design to compose the graphic elements within the viewfinder. My experience as a graphic designer and art director has influenced how I see the world, and how I compose the rectangle of every image. One particularly memorable weekend taught me a lot about designing within the frame. Back in the mid-80’s one of my co-workers invited me to join him for a road trip to the Hershey … more >> →
I’m presenting to the Seattle Area Photoshop User Group on Tuesday, February 21st at Adobe’s Seattle Headquarters. The title of my presentation is: “Creative Photoshop: Montages & Lighting with Layers and Masks” We have 250 RSVPs. It will still be the largest turnout ever for any Photoshop-related Meetup. Read more about it here.
“Making a Photoshop collage is a defined yet flexible process.” One can approach this with complete spontaneity, like a child with a crayon, or with a methodical approach as seen here. For client work, I first create a sketch, then once approved, I begin to create or search for my existing visual elements. This technique is called ‘Pre-Visualization’, because one must first think of what one wants to create. It’s a … more >> →
“Creative Photography with Any Camera” MARCH 14 – 17 : Santa Fe, NM “Join me to capture the beauty, history, and nature in and around Santa Fe!” No matter what your photography experience is, this workshop will inspire and give you hands-on instruction to master camera settings, use intuition to capture the best moments, artfully compose shots, edit and organize images and create slide shows, prints and web galleries. You’ll … more >> →
“I have a confession. I’ve been addicted to very wide angle lenses for over 30 years, and I have no intention of quitting.” There is nothing quite like the inclusive sweep of a photograph made with a wide angle lens. I find it intriguing how wides see the world so much differently than my own eyes. The characteristic distortion of wides, when used creatively can create inviting and dramatic images. I started my own ‘habit’ in 1974 … more >> →
“Wherever I go, I seek compositions that artfully interpret subjects and the ‘feel’ of the place they inhabit” On a recent road trip down the Oregon coast, I spent a day at infamous Canon Beach. To say that it’s a magical and photogenic place is an understatement. The surrounding public-access coastline draws over 20,000 people a year, yet much of it can easily be seen with hardly a soul upon it.
“Nothing gets my poetic creativity flowing like photographing water reflections in morning fog.” I love that fog coats everything in moist dew, and love exploring compositions where foregrounds softly fade into backgrounds. It also melds together two of my favorite sounds: seagulls and foghorns.