There is deep American history imbued within every stalk of wheat and worn wooden plank in eastern Washington’s Palouse region. I sensed it when I slowed down and quieted my anticipation. I paused intentionally and inhaled the sweet air to further inform my senses. The region is a must-shoot destination for thousands of photographers each year, and every one of them prizes the rolling fields and aging barns. But from my experience, few take the … more >> →
In 2014 I decided to refresh my approach to photography. I was heading to Cuba to collaborate on a historical photography project. I wanted a greater connection to subjects than I’d been having with my face obscured behind my big beloved Canon dSLR. I needed a camera that could also frame subjects if held high, held low or when shooting from the hip. I wanted a lighter and smaller system for greater agility and spontaneity. Image quality had to be excellent, with great low-light performance … more >> →
I was contacted by the art director at Yankee Magazine asking me to illustrate a feature for their 80th anniversary issue. The subject: “Inventions and Ingenuity from New England”. Nancy had seen several of my Photoshop montages over time, and believed that my style would be ideal the project. She especially liked my “Telling History” piece, a realistic montage project I’d done for the Baltimore Sun. I accepted the assignment knowing I’d enjoy another challenge of creating a illustrative visual using historic images. … more >> →
In June of 1992 I was just another photography enthusiast visiting Seattle for the first time. What I couldn’t know was that this trip would lead me to a fortuitous event. Having just logged my 10th year as an art director living in Brooklyn, I was feeling the urge to make a move and began my search for where to relocate. I flew to the Emerald City of Seattle, taxiing at midnight to couch crash in the … more >> →
This is the story of my favorite and most collected images: “The Buddha of Borobudur“. I’m often asked about the location of this unusual place, and also how I made this image. I’ll describe my personal process, the gear I used and my Photoshop technique. I’ve learned from photographic travels that my best images come when I manage the excitement that could otherwise occupy my senses. When I have attempted to capture the quiet essence of … more >> →
While touring the countryside, I became fascinated by the reverent shrines within small Mexican cemeteries. The shooting conditions were difficult at best, and I thought it would make a great blog post to illuminate how I approached the work shot in midday sun, through dusty glass and with very limited time. I’m still editing the work, and finishing several concurrent projects. more >> →
Season’s Greetings to all of you, and thanks for following “Notes From a Creative Soul”. I look forward to a year of growth, creativity and adventures. Hope to see you at an upcoming Meetup, presentation or workshop! If enough of you would like to know how this greeting card was made using Photoshop, comment below and I’ll schedule it as an upcoming post.
There I was, finally alone in the wilds on a photo safari. Barely off the plane, I met the others in my group and we drove through the busy streets and markets to find some photogenic wildlife. Two hours into our tour, we huddled together, checked our cameras and stared across steamy African wetlands and grasslands. Suddenly, a territorial bull Antelope surprised me on the grassy hillock, staring me down from just yards away. My heart … more >> →